Wednesday, March 2, 2016

Let's Be Honest

Working on Almost, Maine has been such an amazing and different experience. I have never participated in anything like it before. With this being my first teen play, I’ve had almost nothing but new experiences in this production.

Because it’s a show made almost entirely by teens, we get little direction. Yes, adults are there to help with anything we need and to “polish” things up a bit, but, we definitely have more freedom in how we want to play our character and how we want the scene to look. In a way, this can make our scenes more honest. If we truly put ourselves in the place of that character, and ask ourselves, “What would they do?” it helps us to make our scenes so much better.

In my scene, The Story of Hope, it’s been extremely difficult to stay completely honest throughout the whole scene. Because my character has so much to say, it’s hard not to rush through it. Through this whole process, Kivan has really helped me become more and more honest with every line and to really search and discover everything that I say.

I’ve learned, more in this show than any other, that your lines can’t just be yourself reading them. It must be your character that reads them. Don’t get in the mindset of, “How would I say this in this situation?” think more, “How would my character say this in this situation?” “What’s going through this character’s mind?”

Being completely honest is such a huge part of this show because these are all normal people, with (mostly) relatable problems. These aren’t silly characters with crazy situations that would most likely never happen in real life.

Though I have so much more to learn and so much more room to improve on my honesty in acting, I’ve improved so much with being honest during Almost, Maine.

Morgan Reetz
Hope

Technically Almost Done

I'm writing this while watching one of the final tech rehearsals for STC's production of Almost, Maine. I've been grateful for the opportunity to be a co-technical director for this show. It's been a lot of work for everyone involved, and I'm happy to be breathing a sigh of relief this early. The set is mostly painted, the lights are mostly done, and the special effects are mostly finished. This show is, mostly, ready to roll.

I've never been involved in a show quite like this one. Not only are all of the actors part of the technical work - several of them are also lead designers. The range of creative choices and the amount of dedication required from everyone is staggering. We've tried to create an environment that encourages self-reliance, but also makes it okay to seek out help. I hope we've been successful.

The level of collaboration inherent in the format of the teen show has also impressed me. Each Saturday, everyone from all of the technical teams works together in the same space. This presents some challenges of its own, but regardless, the amount of interaction between the teams is fantastic, even if it's not always focused...

This show has presented some other challenges, too. It's a new space for us, and we owe a lot to Reggie for breaking it in. Still, in the last couple weeks, we've had to figure out how to juggle renovations, rehearsals, and technical work. A couple of new lights are making their debut, and check out that shiny black floor!

When we started this process, we knew we had put together an outstanding company of teens. Nothing about that has changed, and I'm excited for them to be sharing it all on Thursday.

Mat Wymore
Technical Director